Bernarda alba

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this is a genre of literary fiction. however, certain elements taken from reality, though modified by the author according to his poetic interest. one of the literary sources from which Lorca drank to get the character of Bernarda was the protagonist of the novel by Galdos, Doña Perfecta. It is a poetic play, not realistic but the scenarios and some characters are taken from reality. Elestudio the symbol will be very important. To obtain the symbolic language appropriate to Lorca condenses and select elements of the reference realidad1.eliminando locales2.el case in question is extreme but in an environment posible3.el environment detenido4.el corresponds to a time selected language is very popular and fraught symbols. themed P. confrontation between authority and freedom: it has been said that the central theme of the play is the confrontation between ..... In this struggle lies the core theme and structuring of the work, so that the rest are secondary issues that depend on. The opposition arises from the beginning of the work. Bernarda tries to impose its oppressive rules because it is now the head of the household, and only m ª adela josefa and try to cope. But the desire for freedom and loving impulse of Adelaide are stronger than the fear of maternal authority and from the beginning, the youngest daughter expresses his rebellion. eventually produce direct confrontation with his mother. With his suicide is closed to her sisters the way of freedom. 2 sensual love: the drama of those women locked up consists of the absence of love in their lives and the fear of remaining single, because the domain and tyrannical Bernarda mourning for eight years precludes any opportunity to engage in a loving relationship. The explosion in the closed world of the Roman pepe unleashed passions and conflict between these women who want to get rid of bernarda marry and live happily. the presence of man and the passion of love are specified in two different ways to deref through love stories occurring offstage and direct experiences of the characters. 3 hypocrisy: the concern for the opinion of others, fear of slander, the desire to to show off what is not is ultimately the hypocrisy that masks and hides the reality is one of the recurrent motifs of the work. 4. hatred and envy: human relations are dominated by two emotions. bernarda becomes an object of hatred of her servants and neighbors. feeds on itself the hatred to the point that it becomes a detestable character. 5. unjust social poses a well-defined social hierarchy abrca from wealth to abject poverty. human relations at the level of who occupies the upper strata are dominated by the cruelty and meanness with which it is located in lower posciiones and at this level by the resigned submission to bernarda 6. marginacio woman to denounce the marginalization of women in the society of his time lorca faces two female role models: one based on a loose morals and based on a certain conception of decency.

characters: Berni (characterized by a set of negative traits (authoritarian, aggressive, violent, uncompromising, petty, ...) is in a prosperous peasant bourgeoisie, it is feared not only for their aggressive nature but especially because he knows the family background of neighbors). Poncia (match some features with Berni, is very old, traditional morality, lives concerned about the honor). Angustias (the largest is old, ugly, sick, rich ...). Amelia and Magdalena (go unnoticed, Magdalena is the only one crying after his father's funeral, while Amelia is the simplest of all, is characterized by submission and fear of maternal authority). Martirio (embodies the resentment of envy .) Adela (represents the strength of the passion of love, the call of instinct and the desire for freedom, but his rebellion fails and ends up committing suicide). M ª Josefa is characterized by his insanity and senility, is the only ke faces Bernard, skipping its rules. Structure outer structure of Bernarda Alba's house has a classical structure in three acts which correspond with the scheme: presentation, middle and end. Each act takes place in a different time. The configurator feature lorca drama is its cyclical nature, cyclical and repetitive structure. Each event offers the same internal motion: initial calm, succession of conflicts and violence end. Erotic passion, jealousy, hatred ... increase and are given more violence as the work progresses. Example of the cyclical and repetitive structure discussed before: the third act calm situation: (women dining, visit prudence), conflicts (and Pontius bernarda conversation, a meeting of martyrdom and Maria Josefa and confrontation between Adelaide and martyrdom) and violence (gun and shooting and suicide of Adelaide) ¬ & ¬ other elements of the work: each act begins with the adverb and the work begins and ends with death, recurring themes and discussions, the one scene of Act 1 and Act 3 begins with a silence, the work is built on a set of oppositions of contraries: thematic (freedom / oppression) space (home / road) temporal (day / night) colors (white / black), light (light / dark).

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