Human actuality

Classified in Music

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AB.Vallejo: The premiere in 1949 of History of a ladder, scored 1 change nl Spanish theater. The trajectory is drámtica ABV siginificativa dl + d postwar Spanish theater. In his plays, B sought the modern Spanish tragedy. His characters awaken compassion. BV The works represent a synthesis of realism and symbolism d yn oppose her contemplative and active characters characters. Ls ls problems d 1-dimensional characters acquire universal. B uses immersion phenomenon l, q is n 1 d attempt to incorporate the viewer, putting it nl dl protagonist's inner world. Hd1Escalera: Transucurre life characters d, n and n3 decorated same periods, 1919,1929,1249. The central problem is the frustration. D The real protagonist is the stair work, witness dl passage of time. In the hot darkness: This piece raised in the fight x truth and freedom. Blindness, central theme, is a symbol of human limitations and the need d see.The sleep of reason d: d action this historical drama is in Madrid. In it, B raises the question of the freedom struggle and irreducibility x dl individualism. This is one of his plays + Sureal. The foundation: In this drama are the subjects of torture, political persecution and accusations. Last dramas: towards democracy in B searched for new themes and forms d expression. Under the new theme underlying the individual dl q suffering torture and various forms d d immersion effects will remain. Music station (1989) is a critique of capitalism random traps (1994) deals with the clash between idealism d l l pragmatism youth d maturity.

(17) Overview: The evolution dl theater stuvo determined x the Spanish Civil War exile x x the authors desaparicón d d playwrights. In years d lswar, comedy and drama d humor, had as a feature escape from reality and playwrights had tb exiles. The theater turned 2 d post-war basic functions: to entertain the audience, q seeking recreation, and transmit ideology. The latter was done by: Denial d + relevant contributions prewar; premiere works d q d values extolled ls ls vencendores; and programming d classics as referring d glorious times. Bourgeois comedy characterized x the perfect construction works d yx its insignificance, with dose d humor, tenderness and kindness (Jacinto Benavente). Dl Theater mood was far from reality, highlighted Jardiel Poncela and Miguel Mihura. The stage production features x JP incorporating the improbable d, d ingredients cn madness and mystery and drama of GM is not intended to reflect, but idealize life mean x d d humanizing their characters and the triumph of goodness and d tenderness. The artistic interest exiles led the authors to include cutting-edge developments in their works. In the late40s stormed the theater realistic complaint d d reality. The works of theater realistic complexity are characterized x d the scenic areas and deepening characters d ls ls characters. The trigger was the release in 1949 of History of a ladder, d ABVallejo. ABV's works are d 1 synthesis realism and symbolism. They oppose confrontationally contemplative and active characters characters. In the '50s, came the avant-garde theater represented x Fernando Arrabal and Francisco Nieva, q he was influenced by the innovations European theater: Theater of the Absurd: The language, with numerous colloquialisms d intended to express the crisis communication and social absurd NLQ l was human. (Samuel Beckett), Theater of Cruelty:Its initiator was restored l q Antonin Artaud and mystical ritual d ls theatrical origins. The cruelty involves not only l sadistic horrors, but encountering the q rejects rationality. In the '60s, came the real triumph q symbolist theater. Era 1 theater evasive, the heir to the bourgeois comedy. The new theater is a bourgeois comedy immobile, q dl repeats past patterns, with characters far d social circumstances dl time. At the end of this decade came the theater. The theater was supposed independence dl l dl show conservative rejection by developing peculiar aesthetic d 1 d d 1 attempt self-financing. Having overcome the political transition was the gradual disappearance d d such theater. The latest drama, emerging since 1975, favor a d theater contemporary issues. Aesthetics has 1 formal renewal realistay 1 moderate. Democracy brought authors such as Valle-Inclan and FGLorca.

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