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Theatre (The House of Bernarda Alba, Lorca)
"Contextualization: The text that we will analyze belongs to the act 3 of the penultimate scene of the House of Bernarda Alba. This book was written by Federico García Lorca was born in 1898 in Granda and belongs to the generation of '27, its literature has influenced the generation of 98 and Valle-Inclán, Juan Ramon Jimenez and Antonio Machado. It was shot on August 18, 1936 for political reasons. This work was not published in Spain until the 70s, because it reflected the authority of Spain at the time of the dictatorship. His theater was the most important written in Castilian. The issues of what they are trying their theaters have a connection with the theater of the Golden Age with which three items have in common, Omens of the characters, love triangles and the importance of honor. Lorca's theater is the most important written in Castilian. The House of Bernarda Alba, was considered by critics as the fundamental work of Lorca. Lorca The topics covered represent a connection to the theater of the Golden Age, with which it has points in common: harbinger of the characters, love triangles and the importance of honor, "Characterization (Topic, Summary, and Character): The theme of this fragment is Adela's disgrace. Martirio Adela reveals to his mother saying he sleeps with Pepe, the Roman. Pepe's fiance Angustias is because it is the richest of all. The attitude of the characters that appear in this scene is very diverse, "Martyrdom: It reveals that his sister to his family. Bernard: The mother and who has the authority, in this fragment is shown telling Adela (This is the bed of the ill-born!). -Adela: No obeys the rules of her mother and has sex with Pepe el Romano. The piece challenges the authority of the mother, taking his stick and broke it in two. -Magdalena overlooked in all the work. "Anguish: Is engaged to Pepe el Romano. The fragment was disrespectful to his sister, calling her a thief, because he slept with her fiance. The prevailing verbs appearing in the imperative (notified you), means that highlight the theme of authority. Predominate exclamatory and interrogative sentences to convey scenes in a real way. In the text are sex symbols like (look at those skirts filled with wheat straw). The symbolism of the pajero is the play where the prostitutes came to sex. The scene is fraught with tension. The space where the scene takes place is the house. "Personal opinion: 1. Summarize the highlights of the text, 2. Reject the author's ideas, providing new arguments, 3. Interest of the text depending on the target, 4. Ratings between what the text says and what the author used, 5. Relate what the text says arguments of types other philosophical, literary, 6. Using rhetorical questions. 1



Narrative (Chronicles of a Death Foretold, One Hundred Years of Solitude)
"Contextualization: The text that we will analyze part of the work of Chronicle of a Death Foretold / One Hundred Years of Solitude, which was written by Gabriel Garcia Marquez, who was born in Aracataca (Colombia) in 1928. It belongs to a middle class family, was raised by his grandparents. He has participated in social activities and cultural policies of their country. Belongs to the group that drove the narrative narrators Hispanic American '60s. It is the best known of the new storytellers. During his student EDICA to literature and journalism, he published his first story dog eyes blue. Since the 50 combines his journalism with writing stories. His first novel, Leaf Storm, followed by Tale of a shipwreck. Its summit was novel One Hundred Years of Solitude (1967). It continues to publish works such as: Chronicles of a Death Foretold and Memories of My Melancholy Whores. In 1982 he was awarded the Nobel Prize in Literature. Chronicle of a Death Foretold is a novel which has a circular structure begins when the protagonist has already died and ends when you die, although the incident of the killing is not solved until the end. It consists of five chapters, listed, but no titles. They follow a linear structure: 1,2,3,4,5. [Chapter 1
: The story begins with an event announcing the calamity that will happen. Chapter 2: This chapter tells the story of Bayardo San Román. Chapter 3: Start with the story of events after the crime. Chapter 4: The beginning of the chapter is told Nasar's autopsy. Chapter 5: After a brief introduction, the story returns to the day of the murder.] "Characterization (Topic, Summary, and Character): This piece belongs to Chapter 1 of The Chronicles of a Death Foretold . The theme of this is the disgrace of Adela. Martirio Adela reveals to his mother saying he sleeps with Pepe, the Roman. Pepe is the promise of Sorrows because it is the richest of all. The attitude of the characters that appear in this scene is very diverse, "Martyrdom: The who betrays her sister to his family. Bernard: The mother and who has the authority, in this fragment is shown telling Adela (This is the bed of the ill-born!). -Adela: No obeys the rules of her mother and has sex with Pepe el Romano. The piece challenges the authority of the mother, taking his stick and broke it in two. -Magdalena overlooked in all the work. "Anguish: Is engaged to Pepe el Romano. In the fragment he disrespects his sister, calling her a thief, because he slept with her fiance. The prevailing verbs appearing in the imperative (notified you), means that highlight the theme of authority. Predominate exclamatory and interrogative sentences to convey scenes in a real way. In the text appearsex symbols like (look at those skirts filled with wheat straw). The symbolism of the pajero is the play where the prostitutes came to sex. The scene is fraught with tension. The space where the scene takes place is the house. 2

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