Mester of minstrelsy and the clergy

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Poema de Mio Cid: the problem of the problem of authorship Aturias: The Spanish medieval epic suffers from the serious problem of shortage of texts preserved. Traditionalist Theory: Its representative is Menéndez Pidal, which argues that the Castilian epics emerged practically the heat of the events described. In the case of the Poema de Mio Cid, Menendez Pidal states that the work originated and transmitted orally shortly after the death of the protagonist. Individualistic theory: It is represented by Colin Smith, who says that the poem is a work unit and experimental compound by a man in a given time.
Poema de Mio Cid: content, estrucutura and characters: The poem presents a tripartite structure based on the three songs that componene: the song of exile ... As for the intention of the author and his fidelity to historical facts, it seems clear that the work is a poetic creation and it invented the true and mixed with a primarily artistic purpose. Cid exemplifies faithfulness to the king, others focus on the propaganda front of Castile and Leon low nobility against the aristocracy. El Cid is a central character and exemplifies the virtues of the medieval knight:
Poema de Mio Cid: metric and style: The runs are grouped verson monorrimas and assonants teinen variable length and a caesura that divides into two hemistiches. The text has many language features in oral epic "style design, which critics alungos relate to their oral origin and the style of legal documents that the author IRDP know well. - Use of epic epithets and phraseology binary, enumerations and antithesis. - Use plenty of direct speech, which gives realism and Intesa. - Summons to the public for their attention.
-Variety of tenses, with a predominance of the historical present.



Mester mester of Minstrelsy and the Clergy: Siglo XIII. The office of the minstrels or Mester of minstrelsy was to entertain the audience with their resources and skills: songs, music ... The audience was diverse, action often adapt to the spectators who witnessed it. There were various types of minstrels, from the tiny Cazurros, even more appreciated many minstrels.Mester of the Clergy: The name first appears in the Book of Alexandere. In this work the author argues that the Mester of Clergy is the opposite of Minstrelsy and is proud of Suarta, regularly and consistently, against the irregularity and lack of inherent ability of Minstrelsy Mester. This style advocated by the author of the book by Alexandre is summarized in the following traits: "They are works written in Castilian by educated authors and are" in sin ", not those of the minstrels. - Used through the frame, ie a four-line stanza with monorrimos Alexandrian caesura in the middle. - The poems have an intention informative and educational, intended to disseminate knowledge and public outreach minstrels. The authors used Clerecía Mester of resources and tips minstrel.
Gonzalo de Berceo: the first Spanish poet whose name is known, was born in the late twelfth century Berceo. Gonzalo is the most representative of Mester genuidno of Clergy. All his works are thematictica religious. As is characteristic of the Clergy Mester, Berceo expressed great interest in sticking to the sources. It is also written to their original works incorporating his own world view, a certain irony, some comedy and especially resources of the minstrels and language that oscillates between the cultured and the familiar and everyday. In the use of the popular and brightest nearby is where Berceo as a poet, intensely realistic giving life to what could have stayed boring moralist and exemplary scholarship. Known works is The Mask Miracle of Our Lady. These miracles are part of a stream of Marian devolición manifested in Europe in collections of miracles in Latin and Romance languages.

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