Valle-Inclán: entire works of Valle-Inclan is due to the rejection of traditional realism.
Conception of the novel: narrative began his career in modernism: as aristocratic conception defended his anti-bourgeois aesthetic expression and claimed fiction, fable and Inclan leyenda.Valle introduced novel innovations in technique, culminating in its creation Maximum esperpento .
"Sonatas: written in the form of reports, representing an allegory of human life. The Marquis de Bradomin, a Don Juan "ugly, Catholic and sentimental" works as a thread in the four novels: Spring Sonata, Sonata of summer, autumn sonata winter sonata. The dominant theme is carnal love, where there is no lack of homosexuality and incest. Become relevant death and religion. There are two archetypal female images: the femme fatale, with her devilish beauty, imperious and cynical, and the woman's fragile delicate sensuality.
-The Carlist War: Trilogy, consisting of "The crusaders of the cause," "The glow of the fire" and "bigwigs of old," provides a division of Spain facing the traditional liberal. The three novels considered that liberalism is the source of evil and the model of society proposed Carlist: a patriarchal society and archaic. The players belong to different social sectors: 1) Clergy, which is linked to Carlism. 2) The rural aristocracy, embodied in Don Juan Manuel de Montenegro. 3) The people, acting instinctively, ignorant of the mobile from each side.
"Tyrant flags: an interesting experiment in the genre of historical novel. Fall of the dictator tells the Santos Banderas. The action takes place in the feast of All Saints in an imaginary city of Mexico. Tirano Banderas offers the features of the grotesque, a technique with which characters and actions are broken so high previously presented. On the one hand, the dictator inspires fear, the other is an object of ridicule, describing it as if it were an element of the Mexican fiesta. The treatment time is characterized by reduction and simultaneity. This novel technical subject matter and anticipates some of the directions of the new Latin American narrative.
"The rough Iberian: consists of a series of novels which sought cover from the end of the reign of Elizabeth II to the war in Cuba. He designed the project in three trilogies, but only completed two novels, "The court of miracles" and "Long live my own." It was conceived as a single novel about the Spanish sensibility with the intention of unmasking of perspectivism itself.
Theater release: In his dramatic life is a continued desire for renewal and a formal and thematic intention of breaking with the theater of his time.
Early dramatic: He applied his Modernist drama, symbolist theater walked away with the addition of characters with realistic language and attitudes, treated ironically. In his early works "The Marquis de Bradomin" and "The wilderness of souls," dramatizes the nineteenth issue of adultery.
"The Marquis of Bradomin: in this work are the use of procedures and technical ridiculizadotes the multiple sites of action.
"The wilderness of souls in this piece focuses its attention on the mood of the protagonist. Hypersensitivity and exalt the triumph of the sentiments, while critical of religion and order of bourgeois society.
Galician environment Dramas: All works of this group are related by their themes, characters, atmosphere and meaning, and Galicia are located in a mythical, timeless. It represents an archaic society. Conflicts focus on lust, pride, cruelty, despotism, sin, superstition and magic.
"Comedy Barbarian: his characters embody basic impulses of human beings and are driven by obscure reasons.
-Divine words converge distorted world of freaks and decadent styling. The action is built around Laureaniño the Fool, whose relatives out in the markets to make money.
Farces: The author of four farces, all except the second verse. The last three are in "Table of puppets for the education of princes." Enter characters from the show business, the use of costumes and theater within the theater, looking for the breaking of the effect of stage reality effect.
-La Marquesa Rosalinda: considered the more modern works, is an open criticism of Spain, in which the playwright makes fun of institutions and customs. Employment, and cinematographic techniques theater.
"The head of the dragon: it presents a fairy tale atmosphere, alluded to the bad economic situation is particularly critical of Spain and the monarchy, the courtiers and the military. In her parody of modernist literature elusiveness.
"The love of the king, contrasts the sentimental and the grotesque.
"The Queen Castiza: is a devastating satire of the reign of Elizabeth II and focuses on the daily life of the palace.
The scarecrow: That there is a consistent deformation of reality in cartoon form. As a form of expression is chosen as grotesque humans acquire characteristics of dolls and animals, the outside world is a mix of reality and nightmare, Achille speech is used.
"Luces de bohemia: the action is divided into fifteen scenes, ranging from dusk to night the next day, and is developed in multiple places. The characters seem puppets. Valle-Inclán quotations used as a resource beyond parody. Historical events are planned so grotesque.
"Mardi Gras: The Spanish army is the center of criticism of the trilogy: 1) Don Friolera horns. 2) The trappings of the dead. 3) The captain's daughter.